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There is a well-developed vocabulary for discussing classical music,but when it comes to popular music,how do we analyze its effects and its meaning?David Brackett draws from the disciplines of cultural studies and music theory to demonstrate how listeners form opinions about popular songs and how they come to attribute a rich variety of meanings to them.Exploring several genres of popular music through recordings made by Billie Holiday,Bing Crosby,Hand Williams,James Brown,and Elvis Costello,Brackett develops a set of tools for looking at both the formal and the cultural dimensions of popular music of all kinds.

Preface

1 Introduction

Prelude

1 Codes and competences

2 Who is the author?

3 Musicology and popular music

4 Poslude

2 Family values in music?Billie Holiday's and Bing Crosby's "I'll Be Seeing You"

1 A tale of two(or three)recordings

2 Critical discourse

3 Biographical discourse

4 Style and history

5 Performance,effect,and affect

3 When you're lookin'at Hank(you're looking at country)

1 Lyrics,metanarratives,and the great authenticity debate

2 Sound,performance,gender,and the honky-tonk

3 "A felling called the blues"

4 James Brown's "Superbad"and the double-voiced utterance

1 The discursive space of black music

2 Signifyin(g)-words and performance

3 Musical signifyin(g)

5 Writing,music dancing,and architecture in Elvis Costello's "Pills and Soap"

1 The "popular aesthetic"

2 Style and aesthetics

3 Interpretation and(post)modern pop

4 A question of influence

6 Afterword:the citizens of Simpleton

Appendix

A Reading the spectrum photos

B Registral terminology

Notes

Bibliography

Select discography

Index

DAVID BRACKETT,is Assistant Prefessor of Music at SUNY Binghamton.

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[An]impressive and important contribu-tion to popular music studies..

[Brackett's]work could function not just as a model for popular music analysis but also as a very helpful introduction to popular music culture and history.Starting from a musicological perspec-five,Brackett addresses many of the problems raised by the sociological accout of popular music that has so far dominated the field...Should becom essential reading in any popular music course.

书籍介绍

There is a well-developed vocabulary for discussing classical music, but when it comes to popular music, how do we analyze its effects and its meaning? David Brackett draws from the disciplines of cultural studies and music theory to demonstrate how listeners form opinions about popular songs, and how they come to attribute a rich variety of meanings to them. Exploring several genres of popular music through recordings made by Billie Holiday, Bing Crosby, Hank Williams, James Brown, and Elvis Costello, Brackett develops a set of tools for looking at both the formal and cultural dimensions of popular music of all kinds.