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　　With the Rolling Stones, Keith Richards created the riffs, the

lyrics and the songs that roused the world, and over four decades

he lived the original rock and roll life: taking the chances he

wanted, speaking his mind, and making it all work in a way that no

one before him had ever done. Now, at last, the man himself tells

us the story of life in the crossfire hurricane. And what a life.

Listening obsessively to Chuck Berry and Muddy Waters records as a

child in post-war Kent. Learning guitar and forming a band with

Mick Jagger and Brian Jones. The Rolling Stones' first fame and

success as a bad-boy band. The notorious Redlands drug bust and

subsequent series of confrontations with a nervous establishment

that led to his enduring image as outlaw and folk hero. Creating

immortal riffs such as the ones in 'Jumping Jack Flash' and 'Street

Fighting Man' and 'Honky Tonk Women'. Falling in love with Anita

Pallenberg and the death of Brian Jones. Tax exile in France,

wildfire tours of the US, 'Exile on Main Street' and 'Some Girls'.

Ever increasing fame, isolation and addiction. Falling in love with

Patti Hansen. Estrangement from Mick Jagger and subsequent

reconciliation. Solo albums and performances with his band the

Xpensive Winos. Marriage, family and the road that goes on for

ever. In a voice that is uniquely and intimately his own, with the

disarming honesty that has always been his trademark, Keith

Richards brings us the essential life story of our times.

With Doris, Ramsgate, Kent, August I945.

I959, aged fifteen, with my first guitar, bought by Doris.

Early Rolling Stones, Marquee Club, i963, with Ian Stewart, our

creator (top right).

Redlands, my house in Sussex, England, soon after I bought it in

I966.

Brian, Anita, me - high tension in Marra.kech.

Altamont Speedway, I969, as things get ugly.

Close harmony with Gram Parsons, guest at Nellc6te, during the

making of Exile on Main St.

The Starship, Bobby Sherman's old planeI on the I972 'STP' tour of

the USA.

With Marion on the road in I975.

New romance. Patti Hansen, New York, I98o.

Holding Voodoo, the rescued cat, in his lounge,Barbados, August

I994.

The Amsterdam Arena, July 3I, 2oo6.

　　Born in Dartford in Kent in December 1943, Keith Richards

continues to compose, play songs and tour with the Rolling

Stones.

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“公众形象”就像一条长长的阴影，就算太阳落山了，你还是能看到它。我想在某种程度上，如果你感受到四面八方对你的期待，那么在能够承受的范围内，你就会真的不负众望。你觉得自己是怎么样的人，最后就会成为这一影子的拙劣模仿。

我心中有种东西渴望着激起他人的共鸣，我知道它藏在每个人的心里。我有心魔，每个人都有心魔。结果我得到了令人哭笑不得的回应——成卡车成卡车的骷髅饰品从四面八方向我飞来，都是人好意送的。大家喜欢这个形象。他们想像着我，同时也塑造了我。是民众塑造了民间英雄。保佑他们吧。我会尽最大努力去满足他们的需要。他们希望我做点他们做不到的事。他们得上班，得讨生活，得去努力卖保险……但与此同时，他们内心深处也有一个愤怒的基思•理查兹。他们写好了民间英雄的剧本，你最好照着演。我竭尽全力。毫不夸张地说，我确实是像个不法之徒那样活着，还全身心投入进去了！我知道我在所有人的名单上。我只能屈服，我会没事的。但毕竟有些事我不能去做。

我跟她弹了几小段《马拉加舞曲》，和其他我们俩熟知的曲子，我从从小就弹的曲子。她渐渐入睡。第二天早上，一直满怀爱心、悉心照顾我妈妈的助理雪莉照例过去看她，问：“你昨晚听见基思给你弹吉他了吗？”多丽丝说：“听见了，就是有点跑调了。”这就是我的妈妈。但我得尊重多丽丝，她的音准一贯无误，乐感也完美，那是她从她的双亲，艾玛和加斯那里继承来的。当年正是加斯教我弹的《马拉加舞曲》，多丽丝是第一个对我作出评价的人。我还记得她下班回家后的情景。我坐在楼梯最上面的台阶，弹起《马拉加舞曲》，她走进厨房，在锅碗瓢盆之间忙活，并跟着我的曲子哼唱起来，然后她突然走向楼梯：“是你在弹吗，我还以为是收音机在放呢。”只要弹上两个小节的《马拉加舞曲》，就能让人沉浸其中。

但是戈达尔！我真不敢相信，他长得像个法国银行职员。他以为自己在什么地方？他其实没有一个有条理的计划，只是想离开法国来拍点伦敦的新鲜东西。这部片子完全是垃圾—泰晤士河驳船上的少女，鲜血，黑豹党那帮“兄弟”在巴特西一个垃圾场笨拙地分发武器的模糊场景。让-雅克•戈达尔之前拍的片子都很有技巧，带点希区柯克风格。你别忘了，在那个年代，一切都轻飘飘的像是要飞起来，至于能不能真的离地那又是另一回事。我的意思是，在那么多人里，为什么偏偏是让-雅克•戈达尔对英国这场嬉皮小革命产生了兴趣，还想把它阐释成别的东西？我觉得肯定是有人给他塞了点迷幻药，才致使他走进了这个虚假的、什么都被意识形态过度驱使的年头。

我是到后来才慢慢了解比安卡。米克总是不希望我和他的女人们说话，但最后她们总是跑来靠着我肩膀哭，因为他实在太花心了。那我该怎么办？好吧，开车去机场要走半天呢，亲爱的；让我想想。我的肩膀接过杰里·霍尔、比安卡、玛芮安妮、克里茜·施林普顿等等人的眼泪。她们毁了我多少件衬衫啊。然后还来问我该怎么办！我他妈怎么知道！我又不跟他上床。有一天杰里·霍尔过来找我，带着一张不知哪个娘们儿写给米克的便条，字是从右往左反着写的，真厉害的暗号啊，米克！——“我要永远做你的情妇”。你还得照着镜子才能看懂。“靠，真是个混账男人。”一般我都扮演不靠谱的安慰者角色：基思叔叔。真没多少人能想到我还有这么一面。

我的优势是随时可以知道布莱恩和安妮塔之间的状态。有时候夜里听见很大的响动，然后布莱恩就顶着一只黑眼圈出门去。布莱恩喜欢打女人。但世上唯一一个你打不过的女人就是安妮塔·帕伦伯格。每次他们动手，布莱恩身上总是青一块紫一块地挂着彩落荒而逃。但这和我一点关系也没有，对不对？我只是来和布莱恩玩的。

我在戒毒所的时候，安妮塔正怀着我们的女儿安吉拉。我一挺过漫长的痛苦阶段，就要来了吉他，某个下午坐在床上写了《安吉》，因为我总算可以挪动、控制手指了，总算不至于在床上大便失禁、挠墙或者发疯了。我写着，“安吉，安吉”。这首歌不是关于某个人，它只是一个名字，就像“啊，戴安娜”一样。写《安吉》的时候我还不知道安妮塔要给女儿起名叫安吉拉。

书籍介绍

With the Rolling Stones, Keith Richards created the riffs, the lyrics and the songs that roused the world, and over four decades he lived the original rock and roll life: taking the chances he wanted, speaking his mind, and making it all work in a way that no one before him had ever done. Now, at last, the man himself tells us the story of life in the crossfire hurricane. And what a life. Listening obsessively to Chuck Berry and Muddy Waters records as a child in post-war Kent. Learning guitar and forming a band with Mick Jagger and Brian Jones. The Rolling Stones' first fame and success as a bad-boy band. The notorious Redlands drug bust and subsequent series of confrontations with a nervous establishment that led to his enduring image as outlaw and folk hero. Creating immortal riffs such as the ones in 'Jumping Jack Flash' and 'Street Fighting Man' and 'Honky Tonk Women'. Falling in love with Anita Pallenberg and the death of Brian Jones. Tax exile in France, wildfire tours of the US, 'Exile on Main Street' and 'Some Girls'. Ever increasing fame, isolation and addiction. Falling in love with Patti Hansen. Estrangement from Mick Jagger and subsequent reconciliation. Solo albums and performances with his band the Xpensive Winos. Marriage, family and the road that goes on for ever. In a voice that is uniquely and intimately his own, with the disarming honesty that has always been his trademark, Keith Richards brings us the essential life story of our times.